Tuesday, September 30, 2008
Tuesday, August 19, 2008
Blck Party Invitation Wording
The inauguration in arcimboldo Tester exposes his "Collection" in Gallery Arcimboldo (Cabinet of Art and Politics) Images
"The Tester in the cabinet of art and politics as a collector"
agustina pesci / Mario Benedetti ana / ana paula volonté / Analía Zalazar / ariel Cusnir / arturo aguiar / benito laren / carla bertone / cecilia orso / christian roman / wall claudia Rabuco / daniela moon / diego melero / daniel gustavo
rivers / jimena strong / josefina Zuain / looked galli / luciano Burba / lucila Amethyst / maja lascano / Maria Jose Cabral / Paul Curutchet / pablo mount / Patricia Martinez / simone ewerle / tamara smith Opening
. Monday September 29, 1919 hs
Ends October 25
Arcimboldo Gallery DIRECTOR: LINT Borthwick
PA 14
Reconquista 761 Telephone: 4311-3373
arcimboldogaleria@yahoo.com.ar
Hours: Monday to Friday
15 to 19hs; Saturdays from 11 to 13hs
politics in the world of art can appear in different (intended and unintended) ways: from the most epic involving the implication of an artistic movement with dynamic social and cultural processes, to more specific that some tangible or intangible aesthetic objects askew social relations or the aesthetic conventional, perhaps in relative solitude and with some indifference. The political potential of the movement or object can manifest in the present, but also a future in which the gesture enable experiences that are socially and culturally productive. The tester is an artistic and political gesture because it assumes and questions the market as a component of the art world. Draws attention to barriers, rather than economic, cultural, separating, in a specific space to social insects sympathy for potential or actual areas of contemporary art, an effective consumer is an experimental practice and policy, intervening in a fight for reconfiguration of a world concrete art, working on (and somehow constructing) a potential market of contemporary art. Lucas
Rubinich
invited to make a sample in the cabinet of art and politics, it is obvious that a debate on the relationship between art and politics, the vision you have or can give "The Tester". The first thing I think as a member of it is that Argentina are in a society disillusioned of the great speeches, in decline for a thousand reasons, I believe that art as manifested not of much interest to most of society, the world policy, state or politicians who mostly stayed in a nostalgic evocation of work for several decades. It does not mean they understand or Quinquela Berni, because only buy social prestige art, art that can be put on a wall .... For them and for most of society, the artists "fucked", we make a little noise, we are a "crazy shit" ... and nothing else ... ... the system lets any artist now and then displayed on TV and say some bullshit to get the snob, this is the portion of art that people can eat ..... I'm thinking that within a few years many works of contemporary artists end up in the house of rich businessmen and those works will be witnesses to events noble historical rather ... ... well this works, "now" well or poorly marked an era, a way of thinking of the Buenos Aires society post 2001 crisis, and leave your message about your own relationship with power of that time, a relationship with thousands of twists and turns with their consistencies and inconsistencies. "Tester", a space is not this time invited by the gallery "Arcimboldo" to show his "collection" consists of the purchase or the exchange of work with other artists, we show that it is possible to have works by artists without spending large sums, the contemporary art market is very small, hopefully to be extended the circle that does not depend on the few collectors who are, so more artists can live from their true profession without resorting to tasks that move away from their true calling. Gustavo Daniel Rios
"The Tester in the cabinet of art and politics as a collector"
agustina pesci / Mario Benedetti ana / ana paula volonté / Analía Zalazar / ariel Cusnir / arturo aguiar / benito laren / carla bertone / cecilia orso / christian roman / wall claudia Rabuco / daniela moon / diego melero / daniel gustavo
rivers / jimena strong / josefina Zuain / looked galli / luciano Burba / lucila Amethyst / maja lascano / Maria Jose Cabral / Paul Curutchet / pablo mount / Patricia Martinez / simone ewerle / tamara smith Opening
. Monday September 29, 1919 hs
Ends October 25
Arcimboldo Gallery DIRECTOR: LINT Borthwick
PA 14
Reconquista 761 Telephone: 4311-3373
arcimboldogaleria@yahoo.com.ar
Hours: Monday to Friday
15 to 19hs; Saturdays from 11 to 13hs
politics in the world of art can appear in different (intended and unintended) ways: from the most epic involving the implication of an artistic movement with dynamic social and cultural processes, to more specific that some tangible or intangible aesthetic objects askew social relations or the aesthetic conventional, perhaps in relative solitude and with some indifference. The political potential of the movement or object can manifest in the present, but also a future in which the gesture enable experiences that are socially and culturally productive. The tester is an artistic and political gesture because it assumes and questions the market as a component of the art world. Draws attention to barriers, rather than economic, cultural, separating, in a specific space to social insects sympathy for potential or actual areas of contemporary art, an effective consumer is an experimental practice and policy, intervening in a fight for reconfiguration of a world concrete art, working on (and somehow constructing) a potential market of contemporary art. Lucas
Rubinich
invited to make a sample in the cabinet of art and politics, it is obvious that a debate on the relationship between art and politics, the vision you have or can give "The Tester". The first thing I think as a member of it is that Argentina are in a society disillusioned of the great speeches, in decline for a thousand reasons, I believe that art as manifested not of much interest to most of society, the world policy, state or politicians who mostly stayed in a nostalgic evocation of work for several decades. It does not mean they understand or Quinquela Berni, because only buy social prestige art, art that can be put on a wall .... For them and for most of society, the artists "fucked", we make a little noise, we are a "crazy shit" ... and nothing else ... ... the system lets any artist now and then displayed on TV and say some bullshit to get the snob, this is the portion of art that people can eat ..... I'm thinking that within a few years many works of contemporary artists end up in the house of rich businessmen and those works will be witnesses to events noble historical rather ... ... well this works, "now" well or poorly marked an era, a way of thinking of the Buenos Aires society post 2001 crisis, and leave your message about your own relationship with power of that time, a relationship with thousands of twists and turns with their consistencies and inconsistencies. "Tester", a space is not this time invited by the gallery "Arcimboldo" to show his "collection" consists of the purchase or the exchange of work with other artists, we show that it is possible to have works by artists without spending large sums, the contemporary art market is very small, hopefully to be extended the circle that does not depend on the few collectors who are, so more artists can live from their true profession without resorting to tasks that move away from their true calling. Gustavo Daniel Rios
Friday, August 8, 2008
Why Not To Rinse Or Drink After Listerine
Tester in art fair "Expotrastienda." Crossing on map
agustina pesci
analia Zalazar
carla daniel rivers bertone
gustavo
strong jimena juan
lucila just nice amethyst
lascano
marisol
jorge pablo san pablo mount Curutchet
tamara alvarez lopez walter
BIG BANG ... THE ORIGIN OF THE EXISTENCE ... ENTROPY ... DEGREE OF DISORDER THAT HAVE THE MOLECULES OF A BODY ... IRREVERSIBILITY reached after a process that involves a transformation. WHY NOT CONSIDER THESE EXPERIENCES crossed by ART OF PHYSICS?
THE ARTISTS, THEIR PRODUCTION AND TRANSMISSION TOGETHER ESTABLISH CULTURAL INTERACTION NETWORKS TO IMPOSE THEIR STRATEGIES constantly reformulated INSERT in the arts. ACCORDINGLY, THE ECONOMIC CRISIS OF 2001 AND ARTISTIC MARKET IN HOSTILE TIMES FOR THOSE considered unattractive relations, represent a turning point and a trigger to pose A critical look MECHANISMS OF REGULATION OF THE MONETARY TRANSACTION RULES AND SYMBOLIC LOCAL MARKET OF VISUAL ARTS.
THAT LED TO UNEXPECTED BREAK THE TESTER TO MANAGING THEIR FORCES TO THE DESIGN OF A reformulation caused a true BUILDING EXPLOSION IN THE USE OF NEW WAYS TO APPROACH TO SITUATIONS and exhibition space, the public and the artists themselves.
The tester is a self help Loiacono CHARGE OF ERIKA AND DANIEL GUSTAVO RIOS OCCURRING IN THE YEAR 2004 IN ORDER TO PROMOTE THE ARGENTINE emerging contemporary art. ENTREPRENEURSHIP IS DEFINED BY THE LACK OF SPACE WHERE TO OPERATE CONTINUOUSLY AND SHORTAGE OF FUNDING FOR MAINTENANCE AND CHARACTERISTICS OF A PARTICULAR Mercy DYNAMIC PERFORMANCE OF THE PROPOSAL.
PROMOTES TESTER PLASTIC EXPRESSIONS IN ITS VARIOUS MANIFESTATIONS DRIVES AND EVERY MEETING OF THE WORKS TO THE VIEWER is a unique experience, AND THAT IS WHY YOU, THANK YOU, AT THIS TIME A "Expotrastiendas" - BY ALLOWING GIVE LIFE, albeit fleeting, THIS REUNION.
TESTER: ERIKA Loiacono, DANIEL GUSTAVO RIOS 
agustina pesci
analia Zalazar
carla daniel rivers bertone
gustavo
strong jimena juan
lucila just nice amethyst
lascano
marisol
jorge pablo san pablo mount Curutchet
tamara alvarez lopez walter
BIG BANG ... THE ORIGIN OF THE EXISTENCE ... ENTROPY ... DEGREE OF DISORDER THAT HAVE THE MOLECULES OF A BODY ... IRREVERSIBILITY reached after a process that involves a transformation. WHY NOT CONSIDER THESE EXPERIENCES crossed by ART OF PHYSICS?
THE ARTISTS, THEIR PRODUCTION AND TRANSMISSION TOGETHER ESTABLISH CULTURAL INTERACTION NETWORKS TO IMPOSE THEIR STRATEGIES constantly reformulated INSERT in the arts. ACCORDINGLY, THE ECONOMIC CRISIS OF 2001 AND ARTISTIC MARKET IN HOSTILE TIMES FOR THOSE considered unattractive relations, represent a turning point and a trigger to pose A critical look MECHANISMS OF REGULATION OF THE MONETARY TRANSACTION RULES AND SYMBOLIC LOCAL MARKET OF VISUAL ARTS.
THAT LED TO UNEXPECTED BREAK THE TESTER TO MANAGING THEIR FORCES TO THE DESIGN OF A reformulation caused a true BUILDING EXPLOSION IN THE USE OF NEW WAYS TO APPROACH TO SITUATIONS and exhibition space, the public and the artists themselves.
The tester is a self help Loiacono CHARGE OF ERIKA AND DANIEL GUSTAVO RIOS OCCURRING IN THE YEAR 2004 IN ORDER TO PROMOTE THE ARGENTINE emerging contemporary art. ENTREPRENEURSHIP IS DEFINED BY THE LACK OF SPACE WHERE TO OPERATE CONTINUOUSLY AND SHORTAGE OF FUNDING FOR MAINTENANCE AND CHARACTERISTICS OF A PARTICULAR Mercy DYNAMIC PERFORMANCE OF THE PROPOSAL.
PROMOTES TESTER PLASTIC EXPRESSIONS IN ITS VARIOUS MANIFESTATIONS DRIVES AND EVERY MEETING OF THE WORKS TO THE VIEWER is a unique experience, AND THAT IS WHY YOU, THANK YOU, AT THIS TIME A "Expotrastiendas" - BY ALLOWING GIVE LIFE, albeit fleeting, THIS REUNION.
TESTER: ERIKA Loiacono, DANIEL GUSTAVO RIOS
Comparison Between G Lensand Carl Zeiss
participants work Expotrastienda
agustina pesci
Analia Zalazar
Walter Alvarez
tamara smith pablo mount
Curutchet
pablo Marisol San Jorge
maja lascano
lucila
amethyst
juan b.
just
strong jimena
gustavo daniel rivers
carla bertone
agustina pesci
Analia Zalazar 
Walter Alvarez
tamara smith pablo mount 
Curutchet
pablo Marisol San Jorge 
maja lascano
lucila
amethyst
juan b.
just
strong jimena 
gustavo daniel rivers
carla bertone
Monday, July 14, 2008
Can A Hernia Make Your Balls Hurt
Crossing Two show dialog
Analía
Innocence Zalazar / Maja Lascano
Background Mirtha Bermegui / Paul Curutchet
Curator: Florence Sheba / Gustavo D. Rivers
opens: Saturday 19 July, 1917 closed
pm August 16
Two samples, on the one hand, people should be cured different and, on the other, were designed as a positive and a negative notion of dialogue, took a turn himself. We were not us who gave him shape but acquired its own shape. Maja
Analía and confirmed the premise that met on this occasion to reach the same ports, even for different paths, while Mirtha and Paul selected so dissimilar from their works, the challenge of working together, able to "understand" perfectly, encouraged, yet almost without words, without losing its poetic style.
The final product of these two samples are cured together, each of which two artists share their interests, their ideas, their inspirations and their images, but above all, their desire to share.
And as in any dialogue, you start not knowing what direction it will take, one can not guess the answers, gestures, but always a building of two. It is precisely this exchange of looks that makes it rewarding and interesting. Following
cycle show dialog begun by Lid Campal in 2005, and in conjunction with the tester, Liquid map has invited us to participate in an experience that not only can see the intersection of interests and experiences among artists but also that sharing between different curators and committed management projects, such "complicity" as he calls Gustavo, with which to build, create, is much more pleasant and enjoyable. The dialogues between artists, available to the viewer, revealing those shared feelings we experience all in the management of this project
Flor Sheba
July 2008 Florence Sheba (Lid Campal) / Gustavo Daniel Rios Erika Loiácono (Tester) .
Lucas Marin (Map Liquid), liquid
map - art space / Las Casas 4100, Boedo
new schedule: Fridays and Saturdays from 17 to 23 hours
other times by appointment 15 59 97 31 76
www.mapaliquido . com.ar
Tel: (+5411) 4923 9746
Sitting to write about the experience "crossing" that develops in the liquid space map, start to sort ideas and feelings that arose because of this experience which was invited to participate in our project realization "Tester."
emerges as the first idea to thank Lucas and Marín Sheba Flower by the gesture of openness and dialogue that took place during this process work.
The results exceeded previous projections. The enrichment of looks, questions like curators, new dialogue with and among artists with the idea of \u200b\u200bfollowing links is what rescue and remarked. Among Maja Lascano and Analia Zalazar and between Paul and Mirtha Curutchet Bermegui various complications have occurred in the execution of work, mutual support mails, philosophical ideas, stories of childhood memories and most importantly respect for each is in their role and the desire to continue painting, design drawing and sharing the secrets of each .......
Gustavo Daniel Rios, lanus, July 2008.
Wednesday, May 21, 2008
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